Margot Button as Maurya

Born in Christchurch, mezzo-soprano Margot began her singing career with a performance of 'Bessie the Black Cat' in Thora Lewin’s piano studio at the age of 5. The fate of Bessie in verse 4 was hugely traumatic and the performance ended in a flood of tears. She was not deterred however and went on to complete her postgraduate studies in Opera Performance at the Boston Conservatory at Berklee School of Music. The ‘Bessie’ experience ultimately proving invaluable as a mezzo’s onstage lot is rarely a happy one…

As a professional performer, educator and arts manager Margot has appeared as a soloist in opera, oratorio, and recital in New Zealand, Australia, England, and the USA. She has recorded for radio, television and film and spent her formative years singing in Canterbury Opera, Wellington City Opera, and New Zealand International Festival productions.

Margot spent two years training and singing in England and worked as a professional musician for nineteen years in the United States before returning the New Zealand in 2010. While in the USA she worked as a soloist throughout New England appearing regularly with groups such as the Boston Masterworks Chorale, ALEA III, Opera, Opera, and…more Opera!, Wordstage, VT Opera Theatre, Lost Nation Theatre, the American Contemporary Opera Project, and the Sky Meadow Trio. She directed and co-created the Ig Nobel Prize Ceremony Opera for Harvard University and the Annals of Improbable Research for ten years. She is a former Executive Director of the Vergennes Opera House, and Development Director for the Barre Opera House and was an artist-educator and administrator for Brown Bag Opera for four years. She was on the teaching faculties of St. Michael’s College, the Flynn Theatre of the Performing Arts, the Monteverdi Music School, and taught for the Boston Conservatory and Longy School of Music Opera Departments.

Margot studied voice with Lorraine Nubar, and Elisabeth Phinney in the USA, Prof. Rae Woodland of the Royal College of Music in England, and Emily Mair, Head of Music, Victoria University, New Zealand. She has coached with a number of notable artists including Dalton Baldwin, Phyllis Curtain, Dame Janet Baker, Warren Jones, Prof. George Shirley, Cecelia Schieve, and Patricia Weinmann.

Since returning home to Christchurch, Margot has appeared regularly as a soloist and presented a number of recitals. She conducted the ARA Jazzworks Choir and the Showbiz Vocal Studio for two years, and has taught itinerant voice at St. Andrew’s College and Hagley Community College. She was also director of the Hagley Community College Secondary Choir and choral coach for the St Andrews College choral program. In addition she maintained a large professional private voice studio at the Piano in Christchurch, until her recent move to Auckland in 2025 to take up the role of Artist-Teacher in the vocal faculty of The University of Auckland’s School of Music. In addition, she is currently a choral conductor, coach and vocal teacher at Takapuna Grammar and Diocesan School for Girls, and maintains a private teaching studio in central Auckland. 

Margot regularly adjudicates for Regional Vocal Competitions and is an examiner for undergraduate and graduate vocal students at the University of Canterbury. She has been a member of the Freemasons Opera Chorus of New Zealand Opera since returning to New Zealand in 2010, and sang the role of Mrs Noye in NZO’s South Island production of Noye’s Fludde. She most recently sang the role of Mother and co-produced the St. Andrew's College production of Amahl, and appeared as a soloist and in the role of the Nursing Sister in Toi Toi Opera’s inaugural production, Suor Angelica & Elegies in 2021. In 2023 and 2024, she directed Toi Toi Opera’s sold out seasons of Philip Norman’s A Christmas Carol, John Davies’ children’s operas Goldie B. Locks & The Three Singing Bears and The Three Little Pigs, and Die Fledermaus.

Margot is Co-Founder, Trustee, and Artistic Director of Toi Toi Opera. She believes passionately in accessibility to the arts, particularly opera.

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Louisa Pilkington - First Keening Woman

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Matthew Oswin - Piano & Principal Répétiteur